castro theater film noir festival

“With the ‘Fantasy’/‘Destiny’ double bill, people will see what Duvivier wanted to create.”. "Experiment in Terror" unfolds like a good mystery novel, perhaps because it was adapted from Gordon and Mildred Gordon's book by the authors. Any Peter Lorre fan should give this a look, which means everybody because who doesn't like Peter Lorre? Our first stream aired Thursday, June 18, at 8:00 p.m. PST. Regardless of the iterations, Peter Lorre amuses with some of the best lines in the picture. "Story of a Love Affair" (1950) Investigation by a suspicious husband drives his young wife into the arms of an old flame. FNF To Debut Two Argentine Restorations in 2020. 429 Castro St., S.F. Here are five of his can’t-miss programs: To me he is the Mexican Siodmak. Famed actress Olga Zubarry, known as the "Argentine Marilyn Monroe," stars as a cabaret performer whose child is kidnapped by the murderer (Nathán Pinzón) preying on the city's children. The scenes of Franz assembling his gun, and the subsequent murders, are tensely crafted by Dymtryk; the murders themselves are stunningly violent for 1952, with the victim (and the audience) caught off-guard by gunfire piercing the silence. Must be an Everfest PRO member to view contact info. Difficult to describe but well worth a watch, "The Chase" was restored with funds from the Film Noir Foundation. For the latest in noir news from small screen to big screen and beyond, visit our news area.

By accessing our site, you agree to the terms of Everfest's privacy policy. Written by Graham Greene, with a shrewd take on early Cold War politics. "The Third Man" (1949) Arguably Orson Welles' best acting in a film he did not direct, Harry Lime is an outrageous villain who trades in tainted wonder, drugs and lies, getting his old wartime buddy, pulp-fiction novelist Holly Martins (Joseph Cotton), to front for him. Ryan's scenes are tense to the point of audience cruelty—nothing he does is easy or has the expected outcome. "The Chase" (1946) — Easily the weirdest old movie I've ever seen. The year opens at the Castro Theatre with a bevy of special-event screenings including some under the banner of the 19th edition of the San Francisco Comedy Festival, or SF Sketchfest. Photo courtesy of Sony Pictures Home Entertainment. They might have been second bills at the time, but often were racier and crazier than the established “A” films. DONATE HERE and be a film noir savior. Kolodenko, Lisa Lieberman, Ben Terrall, and Eddie Muller. Here are five worth mentioning: Six years after the first NOIR CITY: INTERNATIONAL—the Film Noir Foundation is at it again: presenting an array of classic films from around the globe, a wide-ranging, thematically cohesive immersion in a sordid world of sinister and sexy affairs—including the world premieres of two new restorations by the Film Noir Foundation!

“It was like a night out, and you dressed for the occasion,” Eddie Muller, founder of the San Francisco Film Noir Festival, said soon after ducking into John’s Grill, his trench coat and fedora showing the evidence of a dark, rainy San Francisco afternoon.

The Castro Theater|429 Castro St, San Francisco, CA | Map. For the 16th edition, Muller is pairing an “A” noir and a “B” noir from the same year for 12 double features in 10 days (two each Saturday) from Friday, Jan. 26, through Sunday, Feb. 4. "Razzia" (1955) French legend Jean Gabin is a gangster trying to manage the influx of drugs into the Parisian underworld. BLACK GRAVEL / SCHWARZER KIES  9:00, ANOTHER DAWN / DISTINTO AMANECER  1:30 "Black Hair" (1964) The mistress of a yakuza is scarred and tossed aside after she's raped by one of his henchmen. (both 1/27). Muller is especially proud of the Sunday, Jan. 28, pairing of French master Julien Duvivier’s “Flesh and Fantasy” and “Destiny” — which were planned as one film. “It was like, ‘Oh, my God! San Francisco Film Noir Festival (AKA Noir City) – Celebrating bad girls, dark alleys, corrupt cops, and hardboiled heroes, the SF Film Noir Festival is hosted each January for a week at the iconic Castro Theatre. (I've written about "Native Son" elsewhere.) Ryan's broken leg prevents him from navigating the rough terrain he's been left in, so the lovers figure his death will appear to have been a result of his injury. “Flesh and Fantasy” is a three-part omnibus of supernatural tales starring Edward G. Robinson, Barbara Stanwyck and Charles Boyer. Castro Theatre’s 16th SF Film Noir Festival a course in genre from A to B By G. Allen Johnson Jan. 21, 2018 Facebook Twitter Email LinkedIn Reddit Pinterest A unique Czech-British co-production. The Film Noir Foundation Presents. "Never Let Go" (1960) A salesman whose car is stolen risks his life to retrieve it in London's underworld. All you need to know about the NOIR CITY Film Festival —enjoy!

His wife had been under the impression that he'd left her, and she's living someplace else. "And the Fifth Horseman Is Fear" (1965) A former doctor defies the Nazis by trying to save a resistance fighter during one long, surreal night in Prague. America doesn't have a monopoly on swaggering gangsters, larcenous lovers, surly ex-cons, corrupt cops, and scheming femmes fatales.Six years after the first NOIR CITY: INTERNATIONAL—the Film Noir Foundation is at it again: presenting an array of classic films from … “I definitely wanted to show a film that was based on a book by Georges Simenon, because I think he’s probably the greatest crime fiction writer of the 20th century,” Muller said.

pic.twitter.com/sGMA0Si6VO, NOIR CITY: Austin: TBD That somebody else was a bad, bad boy! “It’s Robert Siodmak,” Muller said. "Street of Chance" (1942) — The first of three Cornell Woolrich adaptations at Noir City, "Street of Chance" relies on that old soap opera standby, amnesia, in the tale of a man who gets bopped over the head and thinks he's somebody else. There would be the main attraction — the “A” feature, the one with big budgets and big stars — and the “B” movie, the second bill made on the cheap with no-name stars. Roman, a criminal with a henchman named Gino (Peter Lorre), hires him as his chauffeur. (You read that right: the guy's name was Gordon Gordon.) NEVER LET GO  9:00, PALE FLOWER / KAWAITA HANA  7:00 LATEST ADDITIONS The twentieth anniversary edition of the Arthur Lyons Film Noir Festival on May 9, 2019, began with a screening of The Night of the Hunter (1955). It later operated as the Hippodrome theatre. (both 1/28). An underrated heist classic from Henri Verneuil. Nothing good ever happens to me in a tuxedo.

To receive your NOIR CITY e-magazine: 2020's NOIR CITY Annual 12, the best of the best from the Film Noir Foundation's 2019 quarterly NOIR CITY e-magazines, is another home run—essays, interviews, profiles, tributes, and reviews of classic and modern noir films from today's top writers—among them Jake Hinkson, Ray Banks, Vince Keenan, Alan K. Rode, Steve Kronenberg, John Wranovics, Sharon Knolle, D.A. He replies that this way is better, despite it involving an incredible amount of planning and coincidence, none of which goes as planned. As always, the festival is programmed and hosted by Eddie Muller, internationally renowned "Czar of Noir" and host of the popular Turner Classic Movies series Noir Alley.

The 18th Annual San Francisco Film Noir Festival. The balance of the month is devoted to traditional rep programs and the 18th edition of the San Francisco Film Noir Festival. “All of these Mexican films are fantastic,” he said.

The man threatens to kill her if she calls the police, and when she does, he comes back. Unfortunately, I missed Bad Girls Night this year due to Bad Odie Day at the St. Francis Hospital Emergency Room. 1946: American actors Alan Ladd (1913 - 1964) and Veronica Lake (1919 - 1973) lean into each other in a still from director George Marshall's film, 'The Blue Dahlia'. $12.50 per double feature. Featuring over twenty-five films, NOIR CITY: The San Francisco Film Noir Festival is an annual celebration of the historically acclaimed cinematic genre. Trying to be a good Samaritan, Cummings brings it to Roman's estate. "The Beast Must Die" (1952) A writer switches identities to catch the hit-and-run driver who killed his son.

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