cj entertainment best movies

Unsurprisingly, moving to Israel with her husband and sons turns out to be both gruelling and illuminating. 1 caveat in terms of our U.S. movies is we don’t just do any kinds of U.S. movies, because you have movies that we know perform well in our territory, particularly Korea. It’s a jaw-dropping wedding scene about a couple rocked by the husband’s infidelity. Non-Jews should love these films, but at the same time, the stories will resonate more deeply with Jewish audiences. Though CJ Entertainment hails from South Korea, whitewashing has become an especially hot-button topic because of the increasingly vocal Asian-American community, who after years of being the least-seen minority onscreen are finally demanding better representation. – JA. Happenstance smiles in the form of an old friend leaving to study abroad, who suggests that the son (Choi Woo-shik) take over the friend’s gig teaching English to the daughter of a wealthy family. But in more recent years, CJ Entertainment is taking steps to be more actively involved in the U.S. side of its films, whether its through distribution or remakes. Second, they had to be great – fun, fascinating and engaging on a level that extends beyond their Jewish milieu. Ki-woo takes the job tutoring young Da-hye (Jung Ji-so) and eventually discovers that the Park family needs an art teacher for their (seemingly on the spectrum) son, Da-song (Jung Hyun-joon). My outlets for film criticism, box office commentary, and film-skewing scholarship have included The Huffington Post, Salon, and Film Threat. Parasite works as a brutal social commentary, a grim comedy and a gripping upstairs/downstairs thriller. Mostly confined to that one setting, the film chronicles the title character’s journey to be granted a divorce.

This protracted legal drama is, in fact, a compelling and darkly funny dive into Israel’s judicial patriarchy. Films like Ghost in the Shell, Oldboy, The Uninvited, and dozens more miss the mark because they shed the cultural weight of the original films, and end up feeling more like cheap copies. The film is one of many this year, films as varied as Hustlers, Downton Abbey, Us and Joker, to deal with class disparities and how those with much view and treat those with little.

/Film got on the phone with Chung to talk about remakes, the complicated discourse around whitewashing, and why you won’t be seeing an English-language remake of Parasite anytime soon. He’s entranced by graduate student Oliver (Armie Hammer), whose brazen Jewishness matches the pride of his sexuality. A Film Unfinished is a fascinating documentary that’s elevated further by the presence of ghetto survivors. Produced by Martin Scorsese and landing on Netflix in January (following a successful festival run this past fall), Uncut Gems takes place in New York’s diamond district as jewelry-store owner Howard Ratner (Sandler) keeps betting more and more money on everything from basketball games to an Ethiopian opal with questionable value. This gem of a documentary, which is available on various streaming services and runs just 65 minutes, is best seen with as little knowledge of the story as possible. I have extensively written about all. Opinions expressed by Forbes Contributors are their own. For films like the Palme D’Or winner and other auteur-driven prestige films, English-language remakes are not in their futures. It’s an issue that mainland Asians from South Korea, China, and Japan have never considered, but one that companies like CJ will have to navigate as they try to reach a wider U.S. audience. – MF, Policeman (Nadav Lapid, 2011): Before debates swirled around The Kindergarten Teacher (2014) and Synonyms (2019), Israeli filmmaker Nadav Lapid broke onto the international film scene with his equally fiery (and provocative) Policeman. Directed by Kwang-Hyun Park, Mehdi Yarmohamadi. When East and South Asian films are gaining a bigger presence on the world stage, why should remakes even be a thing? What transpires over its first act is a subtle con that leads to the entire family being employed in the Park household in different occupations. Chung said CJ is hoping to change that with the remakes that the company is having a hand in developing “that have certain Korean or Asian elements.” Chung added: “Our No. We hope you agree. The Kim family (Lee Sun-kyun and Cho Yeo-jeong) is merely trying to get a meager slice of the pie, while the Parks presume that they aren’t part of the problem because they pay their staff a fair wage and generally treat them well. In terms of genre classification, Parasite avoids easy labels, perhaps arguing that the filmmaker has become a genre unto himself. With the rise of streaming platforms in the 2010s, niche films that wouldn’t normally get a wide release – foreign movies, documentaries, religious examinations, among others – are now easily accessible. Follow me at @ScottMendelson and "like" The Ticket Booth on Facebook.

(Simply having a Jewish director or characters wasn’t good enough.). Web design by Pro Blog Design. Best of YouTube Music Sports Gaming Movies & Shows News Live Fashion Learning Spotlight ... CJ ENTERTAINMENT. Enter Taika Waititi, the irreverent Jewish-Maori writer and director who plays Hitler in this fantastical, hilarious coming-of-age story that juxtaposes the shattering of a young boy’s childhood with a crumbling Nazi regime. – JA, Gett: the Trial of Viviane Amsalem (Shlomi and Ronit Elkabetz, 2014): How much drama can one extract from a tiny rabbinical court in Israel? That’s the question Holocaust historian Deborah Lipstadt had to ask herself when denier David Irving sued her for libel. That is, according to CJ Entertainment’s head of U.S. productions Francis Chung. But one thing that CJ Entertainment will have to contend with when making it Stateside is the constant discourse around whitewashing. CJ Entertainment is a South Korean film production and distribution company under the broader media company CJ ENM.

The young man suggests a woman he claims to know, who is actuality his sister Kim Ki-jeong (Park So-dam).

The race to be the leader of the Conservative Party, Q & A with Ari Greenwald: Responding to a pandemic, Israel declares complete coronavirus lockdown on eve of Passover, Gantz says forming a unity government may take more time, Online classes up and running in Vancouver, To our readers: Everything has its season. Director Danae Elon returns to her Israeli hometown after years abroad. And so that automatically filters what kind of genres we’re doing, what kind of concepts we want to focus on, etcetera. “We’re a culture of extremes.”.

What you can expect, though, is a rich and surprising journey of self-discovery, filled with unforgettable characters and deep insights about what it means to be Jewish. The film is closer in tone and grounded thematics to Mother, and it shares that slow-burn thriller’s appetite for occasionally foppish comedy even under the grimmest of circumstances. First, they needed distinctly Jewish themes that were central to the plot. But as Korean cinema gains a stronger footing on the world stage, Chung said that there is less necessity to try to smooth over those extremes for a wider filmgoing audience. Of course, I’ve just described most of Joon-ho’s most popular movies, but why fix what isn’t broken? That we know the ending makes it all the more horrifying to watch real-life news clips of rabbis and extremists calling for Rabin’s death. When two Orthodox Jews, a father and his young adult son, arrive in a small Hungarian town carrying a mysterious trunk, nearby villagers are naturally suspicious. “In the past we sold a lot of remakes to studios and none of them have gotten made,” Chung said. So it’s stepping in to develop them itself. “Right now, in terms of our approach to these remixes, we typically don’t aggressively try to remake these prestige movies or movies that have been critically acclaimed,” Chung said.

can barely afford to live in the civilization for which they provide the foundation. They feel like they have an obligation to change a lot of things to fit their culture.”. – MF, Phoenix (Christian Petzold, 2015): A haunting blend of Hitchcockian themes and postwar malaise, Christian Petzold’s noir follows Nelly (Nina Hoss), a disfigured Holocaust survivor coming to terms with the feeling that her husband may have betrayed her to the Nazis. 0. Why the Korean Company Behind ‘Parasite’ is Developing English-Language Remakes of Its Own Films, picked up for a limited U.S. awards season release, ‘Parasite’ Can’t Stop Winning Awards, Picking Up 10 Nominations at the Asian Film Awards, ‘Parasite’ Black and White Poster Shows New (Spoilery) Perspective, ‘Parasite’ Wins Big at the 56th Grand Bell Awards, the Korean Equivalent to the Oscars, 7 Things We Learned From the ‘Parasite’ Storyboards Graphic Novel. This heartbreaking, timeless film, based on André Aciman’s beloved novel and written by a master scribe of love stories, James Ivory, takes place in northern Italy in the summer of 1983 and beautifully captures the passionate sexual awakening (and subsequent coming of age) of 17-year-old Elio.
– JA, The Meyerowitz Stories (New and Selected) (Noah Baumbach, 2017): This is not Noah Baumbach’s best film, but it is his most Jewish, and is an engrossing story in its own right. A ton, apparently. Jo-gu calls Yu-ri the next morning, but when the phone disconnects with a weird noise, he starts to worry. – MF, 1945 (Ferenc Torok, 2017): This gripping drama – a hit at the Toronto Jewish Film Festival, which it opened – feels both solemn and brisk. With the rise of streaming platforms in the 2010s, niche films that wouldn’t normally get a wide release – foreign movies, documentaries, religious examinations, among others – are now easily accessible. One of the things that we’ve learned from all of these sort of failed remakes in the past is that a lot of U.S. producers and writers, they failed to sort of bring over the more core essence of why these movies were good in the first place. One of Us could have been a simplistic vilification of Hasidic Jews, but Ewing and Grady are smart filmmakers and superb interviewers who transform their exposé into a riveting portrait of courage.

Set weeks after the end of the Second World War and shot in stark black and white, 1945 is an engaging, endlessly surprising slow burn. The South Korean government has taken note of K-pop’s cultural power and has even poured thousands into the music industry as a means of boosting tourism to the country — and it worked. All names, trademarks and images are copyright their respective owners. It explores the lives of three Jews whose decision to leave their religious community has deeply affected their personal lives.

Rated R. Opens in limited release on October 11. Arts & Entertainment; The 21 best Jewish movies of the decade. The feature debut by writer and director Talya Lavie sizzles with deadpan wit, while confronting many social issues – such as sexism and harassment – that are frequently left out of war films. Subscribe Subscribed Unsubscribe 18.3K.

“Because when we’re in one sitting watching something, we prefer the audience to cry and laugh at the same time, opposite extremes,” Chung said. It’s an adrenaline rush of a film. A cop in the rural city of Busan will help Paboo escape from the government who is looking to capture him. It’s the distributor behind Bong Joon-ho’s Cannes Palme D’Or winner Parasite, and box office hits like The Man From Nowhere and this year’s Extreme Job, the latter of which is already set to get a U.S. remake with Kevin Hart.
But CJ sold the U.S. distribution rights to the Weinstein Company, which infamously delayed the film’s release over demands for re-edits, which Bong refused. If anything, much of the film’s suspense comes from its characters trying not to turn the proceedings into a conventional genre exercise. Posted on Friday, July 5th, 2019 by Hoai-Tran Bui.

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