dark waters review guardian

However, though it succeeded on some level on all of these things, it failed to fully engage me. And it’s always been an option.

Yet there is also a sobering power in the way that Dark Waters begins as a period piece, with all the fun retro design and fashion trimmings those tend to entail, but reaches the (near) present before the full facts come out and a semblance of justice is served. The story is quite melodramatic and dark but also funny. Dark Waters review – Todd Haynes plumbs the depths of a poisoning scandal, Todd Haynes: 'People who say Trump is bound to win are letting it happen', Todd Haynes: ‘It’s naive to think we’re going to get rid of capitalism, but that doesn’t mean you don’t call these things out’. And then there is the cannibalism – that will turn some readers away. Back on dry land Carter falls in with his family and starts work at an asylum. They then go on to meet years later when Borden is admitted to a mental asylum and is under the care of Carver who resolves to try to cure his acqua. It takes inspiration from Moby Dick, Shakespeare and Dickens and indeed I think, in particular if you loved Moby Dick, you would probably revel in it. Some shaky camera moments render Dark Waters less Hollywood than its A-list line-up suggests. The subject is corporate malfeasance that results in environmental pollution on a massive scale over a long period of time. In all fairness, I’m not quite sure yet how I feel about. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Review to follow very shortly on For Winter Nights. To say: this is what it feels like to live with your eyes open.”. Although deep, it wears its erudition lightly, with plenty of story to keep us turning the page ... this was way more complex than i expected going in, but it really drew me into the plot. “We have a very modest goal for this film,” he said at the time. And the picture’s oppressive, jaundiced visual style deliberately echoes the trilogy of 70s conspiracy thrillers (Klute, The Parallax View, All the President’s Men) directed by Alan J Pakula and shot by Gordon Willis. I found the main protagonist so unlikeable that I found it impossible to even forgive his transgressions against his sister and himself. Dark Waters is as fastidious as any of his films, and not at all the journeyman job that some had predicted, but in discussing it he makes it clear that this isn’t, for once, about him. Slight shades of Gothic in this one. We've had to wait six years for Ms Lowry's second book but it was worth it. Page after page laid out before me like the two doors of a Victorian wardrobe, with its intricately carved panels of oceanic shapes and leaves, all a deep, rich brown … and similarly, upon reading, felt like thick cuts of meat, i. Firstly, I must say – what a stunning debut this is!

Mark Ruffalo in Dark Waters: ‘a tortoise overburdened by its shell’, The lawyer who became DuPont’s worst nightmare. So weighty in its execution, and I must commend its author on that. The most obvious one is undertaken by the film’s producer and star, Mark Ruffalo, who, as real-life Cincinnati attorney Rob Bilott, erases his movie-star persona beneath an unflattering haircut, cheap suit, bad posture and the ever-present pout (and jutting lower lip) of an avenging nebbish. The idea was, say, to petition and demonstrate outside the National Institute of Health until they change [Aids drug] AZT dosages and costs – and they did it. The moral arc of Haynes’s film is long indeed, and its curvature isn’t necessarily as comforting as its by-the-book where-are-they-now epilogue might suggest. But it soon becomes apparent this is not the job for him. 'Dark Water' is a powerful, nineteenth century gothic novel that draws parallels between the deepest, darkest oceans and the depths of the human mind. Hathaway’s role as the forbearing yet frustrated wife and mother is close to cliché. It’s never a silver-bullet solution, and we don’t eliminate the problem. There’s a lashing-out here, a cultural sense of retaliation against an elite which they feel minimised and overlooked by, and a professional class of experts and know-it-alls. You need to be a subscriber to join the conversation. The Asylum allows no visitors for its patients, nor any real treatment, but rather a refuge for them. It’s a “forever chemical”, which means it never leaves the bloodstream. Read our community guidelines in full, The latest offers and discount codes from popular brands on Telegraph Voucher Codes, Mark Ruffalo as campaigning lawyer Robert Bilott in Todd Haynes's Dark Waters, Red, White and Blue review: Steve McQueen's taut Met drama gives John Boyega his meatiest role yet, Miranda July on the scam that inspired the season's oddest film, How Goodfellas became a hit: ‘We had a lot of walkouts during that first murder’, Deborah Moggach: ‘Harvey Weinstein saved my film and then #MeToo scandal broke’, ‘Painting down’: the Hollywood stunt industry’s hidden blackface scandal, Sir David Attenborough: 'I've been talking about this for 30 years... and nobody’s taken any notice', James Bond delayed again: No Time To Die to be released in April 2021, The 16 worst movie accents of all time, from Anne Hathaway to Dick van Dyke, What’s on TV tonight: Alison Hammond: Back to School, The Great British Bake Off, and more, Which new films to watch at the cinema and stream online now, When Sofia Coppola took a bullet: how an all-time bad performance killed The Godfather Part III, Dick Johnson is Dead, review: how to kill your own father in beautiful style, On the Rocks, review: not quite Lost in Translation, but still studded with magical moments, Eternal Beauty, review: even Sally Hawkins can’t make paranoid schizophrenia funny, The Boys in the Band, review: a zesty but dated revival of the LGBT Broadway classic. The treatment of patients in the mid-nineteenth century is painstakingly charted. In particular, Velvet Goldmine, which begins with the infant Oscar Wilde arriving in Dublin by flying saucer, looks now like a manifesto for queerness, though it took years to find its audience. We follow affluent and privileged Bostonian Dr Haram Carver, as he boards the USS Orbis where he is to become assistant surgeon. “I wish! (Before Sarah was Bilott’s stay-at-home spouse, she was his colleague.) These sound like the words of an activist, and no wonder: Haynes has been one for as long as he has been making films. Historical fiction is what my brain is calling out for at the moment. It felt like this book didn't have any conclusion or wrap-up. Contains mature thematic elements, some disturbing images and strong language. We’re used to seeing Camp, one of the great unsung character actors, vanish inside a role, and here he does it again, delivering his lines with a gruff affect and thick accent that is unintelligible much of the time. You are letting it happen. Boston 1833 Hiram Carter defies his family's wishes to become a doctor and becomes a seaman instead. The cause was Safe, the then-34-year-old Haynes’s second feature: a by-turns surreal and sinister horror-drama starring Julianne Moore as a housewife who seemingly becomes violently allergic to modern life. Anne Hathaway’s portrayal of Billot’s wife add to this film’s emotional pull.

Dark Waters is a movie that works marvellously well within its own generic terms, and perhaps after the fey disappointment of Todd Haynes’s previous, rather insufferable fantasy Wonderstruck, this tough, clear movie was what Haynes needed to clear his creative palate.

It felt like the more specific the issue you were targeting, the better chance you had of affecting it.”. But it soon becomes apparent this is not the job for him. It’s naive to think we’re going to get rid of capitalism or patriarchy or PFOA, but that doesn’t mean you don’t call these things out and look at specific abuses and the costs to wellbeing. Was Haynes aware of the risk of making his audience feel the battle is already lost? What has made writer Elizabeth Lowry take on the challenge of writing this book? Six films later, including the spectacular Far From Heaven and Carol, Haynes, now 59, has returned to similar terrain – except these days, stomach-churning allegory is out, and recent American history is in. The new picture feels like a sequel in spirit – think of it as Safe 2: This Time It’s Real – and Haynes indicates as much when he shows Anne Hathaway, as Rob’s wife Sarah, pruning the roses in a precise duplicate of an image of Moore from the earlier movie. But is the illness real, or a delusion brought on by his growing awareness that he lives in a country where corporations can poison the land and its inhabitants with apparent impunity? Mar 08, 2020. A very convincing Billot, Mark Ruffalo told the Guardian he’s helped make activism sexy. “That’s just to turn every gay person straight and every straight person gay.” Sitting opposite the 59-year-old director in a London hotel room, I point out that his mission is accomplished. Will the same fate befall his new film Dark Waters? When I’m reading a book, I generally have quite a clear idea of what I like and don’t like about it. see review. It’s easy! 'Dark Water' is a powerful, nineteenth century gothic novel that draws parallels between the deepest, darkest oceans and the depths of the human mind. At area theaters.

Alas for me this falls into the category of: “Admire it, but don’t love it” alas I believe it should be on the shortlist. Definite. “Dark Waters” doesn’t aspire to be something it’s not. Note the way cinematographer Ed Lachman’s camera keeps glancing warily at the business logos glowing brightly by the side of the road: names which after a while begin to feel like claims; each one taking a bite out of the open space around it. If you want to read a gloomy novel on the subject on 1800's sea voyages I would rather recommend Ian McGuire's "The North Water" which was such a gripping read. The big twist was something I assumed all along, so maybe that's why I feel like this story never really took off. “I haven’t been convinced that the Trump voter is policy-motivated. Any conversation with this film-maker will range playfully over his past work and its multiple layered allusions, but he seems less keen today to apply that movie-buff approach to Dark Waters. The characters felt unsatisfying and perhaps underdeveloped in a way that prevented them from being likeable or particularly engaging. … Jonathan Rhys Myers and Toni Collette in Velvet Goldmine. Back on dry land Carter falls in with his family and starts work at an asylum.

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