everyman theatre liverpool architecture

In 2014, the Everyman was awarded the RIBA Stirling Prize, the first theatre in the UK and the first building in Liverpool to win the most prestigious award for British Architecture. “It is also an important endorsement of our studio’s ethos and an encouragement to carry on working the way we do, despite the pressures all of us are under to speed up and dumb down. “It’s inclusive and warm, and there’s not a lot of remove between us and the audience.”, The judges were impressed by the welcoming ambience of the public foyers, the sense of interlocking spaces and the project’s sustainability credentials, reusing 90% of the materials on site and being one of the country’s few naturally ventilated auditoriums. The auditorium is built from gnarled, grubby bricks, recycled from the original chapel, while new walls of rough cast concrete project out into the foyer, like the stripped-back bones of an old structure, recalling the former theatre’s 1970s extension. The new theatre, designed by Haworth Tompkins, is acclaimed by audiences and artists alike. The Everyman theatre in Liverpool, for which Haworth Tompkins architects has won the Stirling prize. Julie Walters, Bernard Hill, Jonathan Pryce, Pete Postlethwaite, Alison Steadman, Antony Sher, Bill Nighy, Alan Bleasdale, Willy Russell, Barbara Dickson, Matthew Kelly, Cathy Tyson, David Morrissey, Stephen Graham and the Liverpool Poets all considered the Everyman a formative home in their early years. “But most of all, they have transformed a building that lacked so much, into a building that embodies what the Everyman’s ethos has always been: world-class theatre in our auditorium, nurturing new writing, great food in convivial spaces, and somewhere for young people to dream of a future where nothing is impossible. It is a surprise choice for the prize, awarded by Royal Institute of British Architects (Riba), beating off the bookies’ favourite of the LSE’s student centre in Aldwych, as well as the Shard and the Olympic aquatics centre. You can find out more about the journey to the new Everyman here. It is a kind of architecture that takes relish in the craft of making and assembling, creating a sequence of carefully staged spaces with an economy of means. We have a limited number of copies at the special rate of £5. The old building – a former chapel built in the 19th century – was falling into a state of disrepair with a leaking roof, but its reused brickwork meant it was 90% recycled. “Since we reopened the warmth of feeling from the public to their much-loved Everyman – given a daring and brilliant rebirth from Haworth Tompkins – has been almost overwhelming. “It does what the original Everyman space did, but even better,” said actor Lynn Best. In 2000, the Everyman joined forces with the Playhouse to become Liverpool & Merseyside Theatres Trust (LMTT) and, in 2003, Gemma Bodinetz (Artistic Director) and Deborah Aydon (Executive Director) were appointed as joint Chief Executives to lead the company. In fact, it was exactly the kind of place that architect Haworth Tompkins might have been expected to update, to rejig, juggle and revive. “Its context - the handsome street that links the two cathedrals - is brilliantly complemented by the building’s scale, transparency, materials and quirky sense of humour, notably where the solar shading is transformed into a parade of Liverpudlians. 1081229, Box Office opening times & contact details, Information and advice about Coronavirus (COVID-19). When you subscribe we will use the information you provide to send you these newsletters. Parked like a redbrick ocean liner, with its four chimneys poking proudly on to Liverpool’s skyline, the Everyman theatre, designed by Haworth Tompkins architects, has won the Stirling prize for the best building of the year. “As Howarth Tompkins’ first completely new theatre, it is a culmination of their many explorations into the theatre of the 21st century. The 440-seat successor has been praised for conjuring up an impression of the vessels which would use the Liverpool docks, with its four ventilation chimneys. It had become a much-loved institution, having launched the careers of local heroes like Roger McGough and the Liverpool poets, and the playwright Willy Russell. The opening ‘If’ of Twelfth Night, repeated at its finish in the 2014 Stirling Prize winning Liverpool Everyman Theatre’s re-opening production, reminded us of Auden’s proposition that human architecture exceeds nature’s by its conjecture on imagined possibilities. Liverpool’s Everyman theatre is described as ‘inclusive and warm’ by actor Lynn Best. With a limited budget of £28m, the architects were charged to make a building that “shouldn’t feel too posh”, in the words of the theatre’s artistic director Gemma Bodinetz, with the “warmth, earthiness and democratic humanity” of the old theatre. The most discussed (and locally loved) feature of the new Everyman is the etched metal brises soleil on the facade featuring 105 full-length cut-out figures based on photographs of Liverpudlians. Liverpool's newly rebuilt Everyman Theatre has won the Riba Stirling Prize for best new building of the year. Also shortlisted for this year’s prize was the London Aquatics Centre, which hosted the Olympic swimming events, Birmingham Library, the Saw Swee Hock Student Centre at the London School Of Economics, Manchester School of Art and the Shard. In recent years the Everyman has undergone a radical transformation and in March 2014, after ten years planning and two years construction, a brand new incarnation of this pioneering and much-loved theatre opened with a joyous production of Shakespeare’s Twelfth Night, directed by Gemma Bodinetz. President of the Royal Institute of British Architects Stephen Hodder said: “The success of this exceptional new building lies in the architect’s close involvement with the local community throughout the project. In 2014, the Everyman was awarded the RIBA Stirling Prize, the first theatre in the UK and the first building in Liverpool to win the most prestigious award for British Architecture. Everyman and Playhouse artistic director Gemma Bodinetz and executive director Deborah Aydon said: “We’re thrilled to have won this most prestigious of awards. We couldn’t be more delighted.”. A succession of visionary directors, exciting writers and bold acting companies have kept the theatrical flame alive here for decades, and the Everyman has been the crucible for an astonishing range of theatrical talent. Everyman Theatre Everyman Theatre . Tompkins said of the award: “It is an important endorsement of our studio’s ethos and an encouragement to carry on working the way we do, despite the pressures all of us are under to speed up and dumb down. The Hope Street venue landed the RIBA Stirling Prize on Thursday night and judges praised the “extraordinary contribution to both theatre and the city” that the building provides, the front of which is clad with revolving aluminium panels featuring images of people from the city.

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