examples of transnational films

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Some of the speakers at the conference addressed the topic of migration in film, but most of them dealt with the circulation and distribution of films, aesthetics, genres beyond national borders, or with the analysis of mechanisms of the international coproduction and funding of films. While as a medium it is quite distinguishable from traditional literature, one cannot deny that its transnational appeal may have an even greater outreach than that of a text. [�ʷ[f���ňz���yB�0Z�'�e� ��� � �26S072�33UI�r � �26S072�33UI�r � Although the film can be seen as heavily Americanised, the production team and actors are from different countries and the director is British. x�+�r 18 0 obj <>stream You’ve got filming locations ranging from London in England to Hong Kong and China. endobj �*T0T0 B�����f����� � �*T0T0 B�����f����� � 45 0 obj <>>>/Subtype/Form/BBox[0 0 565.23 763.65]>>stream 0000001816 00000 n 0000002541 00000 n �26S072�33UI�r � %%EOF 8 0 obj <>>>/Subtype/Form/BBox[0 0 565.23 763.65]>>stream For example, in Peter Berg’s 2013 Lone Survivor “Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. 42 0 obj<>>> 2 0 obj <>stream endobj Nevertheless the concept of “transnational” is often abused, misunderstood or misinterpreted by film historians and theorists. endstream x�+�r Therefore, we should welcome the international conference «Exploring the “Transnational” in Film Studies», organised by the Film Institute of the University of Zurich from the 7-9th of June. Tag: TRANSNATIONAL FILM TRANSNATIONAL FILM. Nowadays, films about migration or diaspora play an important part in the cinematic landscape (just refer to some of our recent reviews, with films like Broken Land, Borderland Blues, The Other Side of Hope, Calabria, Non ho l'età) and they need new categories for interpretation. 38 0 obj <>stream The plot also mimics a century old Indian political tradition of using the Ramayana storyline which is one nettle between avatar prince Rama and the Demon Ravana, to mobilise the opposition to foreign invaders. endobj

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0000035278 00000 n Although it is all set in America we have Actors from a variety of ethnic backgrounds, all suffering in the same way. � � endstream 36 0 obj<>/ProcSet [/PDF /Text /ImageB /ImageC /ImageI]>>/CropBox[0 0 565.23 763.65]/MediaBox[0 0 565.23 763.65]>> For the unaware and uninitiated, cultural hybridity is basically a central part of globalization – it’s the idea that  people tend to combine elements of local and global culture which is particularly shown in global mediascapes. 13 0 obj<>/ProcSet [/PDF /Text /ImageB /ImageC /ImageI]>>/CropBox[0 0 565.23 763.65]/MediaBox[0 0 565.23 763.65]>> endobj

(APA Staff, 2008)Here, Vivarelli and Jaafar criticise films such as Casino Royale (d. Campbell, 2006) using the term "euro-pudding", meaning that though the film has used an international cast and filmed all over the world it is still very much a Hollywood production which only uses such locations and foreign actors for exoticism and glamour, as supported by Said's argument on orientalism.Slumdog Millionaire, then, could be applied to Spivak's 'Can the Subaltern Speak?' As a consequence, any film is potentially a product destined to travel abroad.

0 Also, the nature of the game show is to allow anyone to compete, even the subaltern, meaning that Slumdog Millionaire could be considered to be a more transnational film than Hollywood productions such as Casino Royale. �26S072�33UI�r � All work is my own. � x�+�r 0000011040 00000 n x�+�r � The Academy Award winning masterpiece Slumdog Millionaire is a fantastic example of a transnational film. Although on the surface you have a significant amount of English-speaking American cast, crew such as lead Sam Worthington and James Cameron originate from England and Canada respectively. �26S072�33UI�r �

x�5�9 �*T0T0 B�����fh����� 21 0 obj <>stream Transnational elements in film-making are becoming more and more obvious in this rapidly globalized world with the lesser impact of Americanization, instead encouraging diversity in terms of cast, crew and production locations. Hollywood has begun to become more transnational, using multicultural cast and crew as well as filming and producing films in many different countries. x�+�r

A large number of recent books and papers have been devoted to a so-called transnational film culture, genre, author or star. Second, they analyse Chinese transnational cinemas. � �*T0T0 B�����f����� � �8IG��x��OHF ��+��6������lIˑ.�

The purpose of this website is to explore and examine the notion of the globalization of cinema, and how many films, particularly Hollywood films, and especially those of the 21st century, are examples of transnational filmmaking in terms of both their production, distribution and how and … 51 0 obj <>stream endstream All rights reserved. Most of the time, in fact, its use seems to describe every supranational phenomenon connected with the production, distribution or reception of films. endobj �*T0T0 B�����f����� �

endstream ����2�" Culture can be defined as the ideas, customs and social behaviours and characteristics of a particular society. � 0000007513 00000 n

JAMES BOND: THE CINEMA OF GLOBALIZATION AND AN EXAMPLE OF A TRANSNATIONAL FILM FRANCHISE.

endobj �\���0NW0 5�\F�� Ӌ� This shows that the category of “the national” is no longer an unchallenged historical or methodological frame that can grasp all the practices of filmmaking.

4 0 obj<>/ProcSet [/PDF /Text /ImageB /ImageC /ImageI]>>/CropBox[0 0 565.23 763.65]/MediaBox[0 0 565.23 763.65]>> �*T0T0 B�����f����� � � � �26S072�33UI�r � It is extremely intriguing to look back on the history of Film. Is not transnational only a new label with which we can categorize another group of films, further refining our approach to analyzing films and changing the way that we look at history of film? Since the first films were screened by the Lumiere Brothers all the way back in 1896, Film has kept evolving and adapting to keep up with an ever changing audience. The plot of a foreign invader clashing with avatar-led characters mimics Indian religious texts, and the Na’vi really use rudimentary weapons such as bows and arrows, which is also used in religious texts within Indian mythology.

James Cameron, director of the film succinctly summed up this relationship, you’ve got a movie which pretty much “borrowed” from traditional Indian mythology. Karen and Schaefer suggest these examples illustrate a growing incorporation of ‘bollywoodism’ and Indian/Hindu references into mainstream North American Media (Karan, K and Schaefer, DJ. ‘Slumdog Millionaire’ – A Cultural Hybrid – Capture By Kayla. endobj endobj �*T0T0 B�����f����� �

How does such a sci-fi-esque movie that topped billboards globally in 2009 tie into the far reaches of globalization, specifically cultural hybridity? ?teU�]��;�?����lv�n�� ��[�Ļ�)�=�Cv6��~�g�U٭�����.q&�-:{ظ~�+x�:�������쭶8_��eey]�w�K�a1���U5G����nV?�s�ư�������;�@o��l���٢�i������u����Ь�Ye79"�������ק�e0� ��. endobj A fairly recent film which incorporates more obvious elements of Bollywood would be Slumdog Millionare, a British-Indian drama film produced also in 2009, which incorporated Westernized production values with ‘Indian cinema’ and popular-culture references to appeal to a Western audience as well as an Indian one. �26S072�33UI�r � x�+�r

Director Danny Boyle is English, as are the writer, producer and the leading actor Dev Patel. The conference days opened with a projection of Robert Young’s Alambrista! I would have never known about the Hindu components of this film unless I was told so, otherwise it would have (and did so to me) feel as if it was an all Native American influenced film. �*T0T0 B�����f����� � 52 0 obj<>/ProcSet [/PDF /Text /ImageB /ImageC /ImageI]>>/CropBox[0 0 565.23 763.65]/Annots[49 0 R 50 0 R]/MediaBox[0 0 565.23 763.65]>>

0000038286 00000 n A clear example of a Transnational film would be Christopher Nolan’s rebooted Batman film The Dark Knight. � Is not almost all the cinema transnational? endstream The Academy Award winning masterpiece Slumdog Millionaire is a fantastic example of a transnational film. � � W(G�הٳ9�"�T0�Gi`}�bX>�NV&AO�.�>{vr����Yz���|�$1���&���� 39 0 obj<>/ProcSet [/PDF /Text /ImageB /ImageC /ImageI]>>/CropBox[0 0 565.23 763.65]/MediaBox[0 0 565.23 763.65]>> 19 0 obj<>/ProcSet [/PDF /Text /ImageB /ImageC /ImageI]>>/CropBox[0 0 565.23 763.65]/MediaBox[0 0 565.23 763.65]>>

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101 0 obj<>stream � x�+�r Another key presentation was Kostas Tzouflas' one, which investigated the approach of the film funding mechanisms in the European Union towards the Latin American Cinema and its neo-orientalistic tendency to finance works that confirm a stereotypical image of Latin America to Europeans.

endstream �26S072�33UI�r � Because overall you are in fact using elements from a variety of cultures which you may or may not belong to which could lead to a distortion of meanings within a culture. endobj x�+�r �*T0T0 B�����fh����� endobj You’ve got filming locations ranging from London in England to Hong Kong and China. 0000034867 00000 n

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0000011449 00000 n �26S072�33UI�r � 0000035562 00000 n Change ), You are commenting using your Google account. This is called Cultural appropriation, and it becomes very evident in a majority of our music, films and fashion.

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