So you can't always believe what you hear. Yeah, watch out for the language used. The problem I have(regarding digital sources that is) is that some vinyl enthusiast tend to blast some records for having digital sources without really hearing the product. Somebody here on the board confirmed with Rhino that Chris Bellman was given digital copies to cut with, even though he can and does cut all analog. Then again, I've seen claims in online and brick and mortar stores that the recent Rhino Captain Beefheart box was cut all analog. A great many others are just collectors. Only if it says "cut from analog master" is it likely 100% analog. Below we aim to dispel the myths, give some advice, and take you through a bit of history so you can decide what will be right for you when deciding to buy a specific record on vinyl. The center labels were removed from old records and the vinyl was then melted …
Having heard vinyl reissues taken from original analogue and from digital, I completely accept the notion that there's a big difference. Just give us the basic informations about your record, we'll do the work. Otherwise, record pressing plants may be hesitant to release a digital sourced pressing on fears that it won't be accepted by the vinyl community as a whole. I would think many I these people would be pissed if they had any idea how the sausage was made, but many more could care less. But they should ask the question how many people will be put off by them not saying anything at all? They're banking on the fact that most people buying vinyl these days have no clue how records are made, and have no idea what a "master" is. First pressings will usually have a four letter/four number combination, such as ABCD-1234. Both an original pressing and vinyl reissues have their disadvantages and advantages, and personal circumstances also play a huge part. I would have thought that anyone with a decent vinyl front end (say worth $3,000 or more for turntable, cartridge and phono stage) would consider the provenance of a recording to be a key consideration. I don't doubt that. I notice that Rhino is starting to mention analogue origins on their vinyl reissues, but I wonder how else one can know the source of a reissue? If the original is more than that then I will look at the reissue. The easiest way to find out if your vinyl record is an original pressing or a reissue.
Having heard vinyl reissues taken from original analogue and from digital, I completely accept the notion that there's a big difference. Look on the spine of the LP record sleeve. If it says "sourced from the analog master," it's highly likely a digital copy was used to cut the lacquer. As a result, most labels cut costs by reducing the thickness and quality of their materials.
They care more about a) the mastering engineer on an older album, b) the quality of the overall package, and c) the relative obscurity or limited availability of a release. Our host has said that Capitol mastering uses a digital delay in their chain, which means that signal is being converted to digital before it hits the cutter head.
A good number of those in my vinyl-lover circle have no opinion on the source of master. The music industry relied heavily on expensive petroleum for vinyl production. I'm sure by now 75% of what's out there is digital one way or another. My point is give it a chance before you condemn the product. USA vinyl is usually handwritten & again East Coast (vinyl) & West Coast (styrene) pressed copies can vary as some are stamped & others not. ), Forum Policies, Rules, and Terms of Service. I prefer original up until about $25. Some I know come from digital sources, but many of those sound pretty good in my opinion. The 70’s still produced great records, but the global energy crisis impacted the way vinyl was manufactured. If they do not respond, it is generally because they do not want the information out there, and that leaves you to draw your own conclusions. You've hit the nail on the head. But the problem is that it isn't. Rather than using only “virgin” vinyl, they now began adding recycled scraps. The vinyl community is only partially made up of audiophiles. Only by seeing original vinyl of 'worthless' artists on a similar era label will you be able to tell all the signs an item is real or not. Although I do prefer to get the best master so if there is a reissue with fairly better mastering I'll get that or vice versa. Let the ears be the judge and not random rhetorical comments. Discussion in 'Music Corner' started by BroJB, Jul 29, 2015. It's only right because that seems to be a big issue with vinyl lovers now. I own approximately 60 vinyl reissues out of my collection of 700 vinyl titles. And anything after a second or third pressing will have a two letter/five number combination, such as AB-12345. ILet the ears be the judge and not random rhetorical comments. I think the reason labels are so cagey about this stuff is that they know that a lot of people will be put off paying big money for albums cut from digital sources. Depends on the genre and release year and stuff like that too. Anything on Rhino cut by Ron McMaster at Capitol is digital, even if it says analog tapes were used. But the $25 rule holds pretty steady. The fact that it gets discussed so often would seem to support this. At that point, I lean towards not purchasing.
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