(Duff 1770: 345, 349). by Philippe Despoix and Georges Leroux. ), A few years later, the Scottish clergyman William Duff (Essay on Original Genius, 1770), speaks of “that sublime melancholy which distinguishes every great Genius”, forging the link not through high moral standards but through above-average sensitivity. “The «Joy of Grief»: Moritz and Ossian.” Colloquia Germanica 28 (2), 101–25. curative || Blanc X - - - Inquiries / Demos : blvntblanc@gmail.com Vol.
Confidently stating that “no kind of music has any resemblance to a feeling of the mind”, Blair bluntly dismisses an issue that still provokes philosophical debate. ; Ann Arbor: Text Creation Partnership, 2011.).
The association of melancholy with intellectual brilliance goes back to a source formerly attributed to Aristotle, Problemata (or Questions and Answers). But though pleasant feelings gave rise to dancing songs …, […] it is to grief and sad melancholy that we owe true Music, that animated picture of all the passions, and especially of those that are most profound, which impresses them so strongly and kindles them so quickly in our souls, which causes a flow of tears so delicious, gives emotions so sweet and enjoyments so intimate to all sensitive souls who have experienced or are experiencing misfortune and therefore – alas! Coined by Macpherson-Ossian, and highlighted by Blair (1763: 49) as characteristic, it had a strong appeal in an age fascinated with ‘mixed feelings’ or vermischte Empfindungen, the Age of Sensibility (Empfindsamkeit).
It fades into nostalgia (a Latinization of Heimweh, introduced as a medical term in the late seventeenth century). Which may betray the thoughtful listener’s own melancholy complexion. 1785.
Melancholy is not dispelled, but lightened by music that sympathetically reflects the mood. As a remedy for melancholy, music is homoeopathic.
A tidy box containing every album Fleetwood Mac released between 1969 and 1974, featuring bonus tracks and an unreleased live album from 1974. In Peregrine Horden (ed).
(Lacépède 1785: 7; my transl.).
It is the sweet variety that has become ‘melancholy’s’ primary sense nowadays; in German, Wehmut rather than Schwermut. The tag serves to explain the tone or feel of the music as thoughtfully sad. Immanuel Kant, for instance, in his early Observations on the Feeling of the Beautiful and Sublime (Beobachtungen über das Gefühl des Schönen und Erhabenen, 1764), links the melancholy temperament with the sublime through ethics.
Without the assistance of fantasy or imagination, her knowledge remains inert, like the utensils that uselessly lie around. Gaskill, Howard.
1995. (Blair 1763: 50; Gaskill 1995: 105).
1770. (Klibansky et al. And yet, I suspect, it is still not uncommon that the strongest, most profound, and more lasting responses to music are thought to be those of a melancholy kind. A Critical Dissertation on the Poems of Ossian, the Son Fingal. 73,302 listeners, Various Artists Let us know what you think of the Last.fm website. By comparison, its many musical connections have received surprisingly little attention. 58,197 listeners, June Madrona The tag serves to explain the tone or feel of the music as …
Being a Sequel to the Essay on Original Genius (London: Becket and De Hondt). Enter your email address to receive notifications of new posts. Can easily be placed in TV soap opera or melodrama film, scenes sprinkled with melancholy, introspective moments, etc. After all, keeping one’s hopes up is energy-consuming.
During sweet melancholy’s second heyday in the eighteenth century, Hugh Blair pointed out that Ossian’s joy of grief specifically relates to the performance of music: To “give the joy of grief” generally signifies to raise the strain of grave and soft musick; and finely characterises the taste of Ossian’s age and country. (Paris: Richard, Caille et Ravier). Let us know what you think of the Last.fm website.
Klibansky, Raymond, Erwin Panofsky, and Fritz Saxl. Traité médico-philosophique sur l’aliénation mentale ou la manie. As a remedy for melancholy, music is homoeopathic. In eighteenth-century writings on aesthetics, melancholy is interwoven with the ‘sublime’, an aesthetic category complementary to beauty: the sublime is the grand and awe-inspiring, rather than the sensually or intellectually pleasing. Ed. Duff’s prototype of melancholic genius is Ossian, the fictitious Gaelic bard created or recreated in the 1760’s with immense success by the literary forger James Macpherson. In its temporal unfolding, can music reflect or represent, by some kind of analogy, processes of emotion and recollection?
2019: 23-24).
Melancholia is a state of emotion. 1801.
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The melancholic risks being trapped in a recollective loop. (Blair 1783: 408). 1763. (Kant 2018: 76, 78; my transl. “Pleasant are the teares which Musicke weeps”, John Dowland, a self-declared melancholic, noted in the introduction of his Lachrimae, or Seaven Teares (1604; Gouk 2000). […] amidst the rude scenes of nature, amidst rocks and torrents and whirlwinds and battles, dwells the sublime. He is particularly sensitive to the sublime.
In spite of this plethora of mostly undesirable effects, the association of melancholy with intellectual eminence has given it a dark lustre, particularly after renaissance philosophers brushed it up with astrological lore. Find the Best Melancholy Albums on AllMusic. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.
serious emotion; and is heightened by all the images of Trouble, and Terror, and Darkness. The easy slide from the sublime into the sentimental can be illustrated with the famous phrase ‘joy of grief’ (Gaskill 1995).
Putting their country and retro-rock influences on hold, the band deliver an eclectic Latin set showcasing vocalist Raul Malo.
Their influence may be suspected in melancholy’s most iconic representation, Dürer’s Melencolia I (1514). Melancholy is not dispelled, but lightened by music that sympathetically reflects the mood. Why is it that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholics, and some of them to such an extent as to be affected by diseases caused by black bile? But it is not joyful, energetic music that the melancholic desires or even tolerates. 2019: 18). Joy of grief (and often, melancholy) refers “not simply to a vague mixture of happiness and sadness, but to the specific kind of pleasure which results from recalling and reliving, at at least one remove, the pleasures and pains of an irretrievable past” (Gaskill 1995: 105-6).
Yet, surely, no kind of music has any resemblance to a feeling of the mind, such as the memory of past joys.
1 (Dublin s.n. Not only because of the sonority of the word; also because of its rich resonances in cultural history – in particular, as the malady of those who think too much. (Montreal: McGill-Queen’s University Press). (Pinel 1801: 138-139; my transl.
It is the offspring of nature, not of art. Kants Populäre Schriften. If fed by interaction with the outside world, it also may generate energy, and that is what melancholy, shut off from the world, fails to do. In a later remark on literary simile, Blair highlights Ossian’s comparison of the effects of ”soft and melancholy music” and those of nostalgic recollection: Two objects may sometimes be very happily compared to one another, though they resemble each other, strictly speaking, in nothing; only, because they agree in the effects which they produce upon the mind […]. Vol.
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