teatro la fenice history

All that remains to record are a few significant changes made by Lodovico Cadorin between 1854 and 1859 to the rooms on the piano nobile and the stucco-work on the staircase leading up to the Sale Apollinee, whose traces were in any case destroyed in the 1937 restoration. Publishing a Memorandum accompanying the drawing and model of the Theatre conceived by Cavalier Morelli and humiliated by the Nobile Societ… Veneta, he did not neglect the question of the decoration, suggesting the great auditorium should be painted by a worthy decorator. On 22 August 1849, with the return of the Royal Austrian Government, orders came for the loggia to be reconstructed in its previous form, and the work was swiftly carried out… by the Meduna brothers. The music critic of the paper Il Tempo, Enrico Cavalotti, was satisfied. Teatro La Fenice is one of the most popular destinations in Venice, Italy. During the last twenty-five years of the century the theatre was entrusted to Maddalena Battaglia who continued to present an eclectic repertoire including French tragedies and dramas and some Italian novelties. If you are a history buff or an art enthusiast, you are sure to have a blast visiting the museums within the Doge's Palace or the Bridge of Sighs. In Autumn 1852 he then wanted to restore the decorations of the theatre and to add a great “chandelier, that with the great copy of light, of all animating things, increases the magnificence and beauty of the performance”. In 1808 the architect Giannantonio Selva built the definitive model with the assistance of Giuseppe Borsato on the decorations. Enjoy Wine Tasting in Venice | Book Now @ ₹2199 Only! Went for a Verdi choral recital which was lovely.

The re-construction and re-opening of the theatre to the city and to music is the result of collective work, which has engaged the Administration, companies, all those, individuals and committees, who have collected funds and organised events. Used longitudinally, it re-proposes the same position of the stage in the theatre room for the choir and the orchestra and has been designed with the objective of giving the same acoustics of the theatrical room. Over the next 13 years, the premieres of Attila, Rigoletto, La traviata, and Simon Boccanegra took place there.

Nonetheless, in the eyes of the spectators who attended the inaugural evening of 16 May 1792, or at least in the eyes of the reporter from the Gazzetta Urbana Veneta, the decoration of the Fenice … has all the requisites necessary to make an effect; clarity of tints, harmony, solidity and lightness, things that are difficult to combine, and which are wonderfully united in this work … The vaulted ceiling has a gently rising curve, but by the artifice of the painting it seems to rise beyond its limits. La Fenice Opera House was founded in 1792.
Manlio Brusatin, Giuseppe Pavanello, Il Teatro La Fenice, Venezia, Albrizzi 1987, p. 213-240. Reconstruction of the masonry and wooden framing of the building was carried out in the opera house itself by hundreds of workers employed 24 hours a day, seven days a week, while the decorative components were constructed at the same time in various external workshops so that these would be ready for application once the structural work was complete. The usage of the content and images on this website is intended to promote the works and no

Indeed, it is an opera house that attracts thousands of theater fans every year. Hop on Hop off Venice City Sightseeing Boat Tour, Venice Airport Transfer by Actv Aerobus |, Private Venice Airport Transfers For Downtown Venice, Experiential Activities in Venice(Get up to 25% Off). On the third tier are putti holding tablets engraved with the titles and authors of 14 of the most important operas staged in the house. Today, the eyes of the world contemplate its resurrection, thanks to the positive and active collaboration between the State and Civic Administration, to the proven experience of who managed the restoration work and to the intense skilful work of hundreds of labourers, craftsmen specialised in stucco, marble, wood, metal and plaster work. Its tints are so delicate and its splendours so harmonious that one’s spirits, on entering, are lifted and cheered. Anna Laura Bellina, Michele Girardi, La Fenice 1792-1996, Il teatro, la musica, il pubblico, l’impresa, Marsilio, Venezia, 1997, p. 63-85.

[4], Arson was immediately suspected. This beautiful palace makes us think about how the man could create such mesmerizing structures without having any technology in that era.

The frescoes were eliminated in some of the upper rooms, which were decorated with stucco fasciae in neo-classical style and furnished with Imperial-style furniture. There was a third Savoy shield on the crown of the external cornice, but this was removed after the republican victory in the referendum of 2 June 1946 and replaced with the lion of St Mark, the symbol of Venice. However, also the works of more up to date opera writers such as Alessandro Scarlatti (Il Mitridate Eupatore, Il trionfo della libertà, 1707) and Händel (Agrippina, 1709: performed no less than twenty-seven times in a row) were performed for the first time in this theatre.

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