magic theatre the chinese lady

PH Army commissions 2 light choppers for aviation regiment training, COVID-19 vaccine may be ready by year-end—WHO, Black hole discoveries win 2020 Nobel Prize for Physics, ONE Championship vows strict bio-safety for Singapore card, CA orders gov’t to justify Veloso’s inclusion in ‘narcolist’, Hawaii surfer loses board, teacher finds it 2 years later in PH, States that vaccinate the most, and the least, Canada has more reported anti-Asian hate incidents than U.S. — report, Healers grapple with mental health issues in Fil-Am community, Beware of cruise ship job recruitment scams. “Whenever I’m fortunate enough to be able to do work like this, especially stories that you wouldn’t hear otherwise, it always echoes back to how I got here in the first place—being a child of immigrant parents and knowing just how much richer my experiences are as a Filipino growing up in America because of what my parents had to endure. ADVERTISEMENT Afong Moy was brought to New York […] Afong is (as, historically, she was, according to the very little that’s known) enclosed in a pagoda-like pavilion (a detailed little set by Jacquelyn Scott) in which she daintily demonstrates to the crowds how she eats (with chopsticks! What are the different types of Covid-19 tests? SAN FRANCISCO – Filipino American thespian Rinabeth Apostol is performing the lead role in Magic Theater’s The Chinese Lady, as Afong Moy, believed to have been the first Chinese woman to immigrate to the United States. Will Dao and Rinabeth Apostol appear in Magic Theatre’s production of “The Chinese Lady.” (Courtesy Jennifer Reiley).

Advertisements of her exhibition promoted her exotic clothing, strange language, and her four-inch “little feet” that were the result of the ancient Chinese practice of foot binding. Don't miss out on the latest news and information. “He could not find any information about her. Her parents turned her on to the arts and encouraged her appreciation of it.

In 1834, 14-year … Not much is known about Afong Moy’s fate after the exhibition in New York.

Atung translates in broken English. Shannon Tyo in "The Chinese Lady" at the Barrington Stage Company. SAN FRANCISCO – Filipino American thespian Rinabeth Apostol is performing the lead role in Magic Theater’s The Chinese Lady, as Afong Moy, believed to have been the first Chinese woman to immigrate to the United States. Suh was very specific in his notes that the characters should be played by Asian American actors and that they should speak in their natural speaking voice without putting on an accent. So, you’re still up against all of your peers. It talks about an immigrant coming into this country, and that’s exactly what it is.”, Featuring a cast of only two actors, with Will Dao who is mainly in the role of Atung, The Chinese Lady poses its own set of challenges for Apostol as the lead actor. The Magik Theatre’s mission is to use the power of theatre to create Magikal storytelling for children that Activates imagination, Grows young minds, and Inspires creativity and a love of learning that is the Key to a more literate future for our community. “It’s still a rarity to be able to support Asian American actors, playwrights, and directors because we are still a risk, we are still a liability. Will Dao and Rinabeth Apostol appear in Magic Theatre’s production of “The Chinese Lady.” (Courtesy Jennifer Reiley) Magic Theatre’s ‘Lady’ fascinates We are almost in the year 2020, and what have we really learned? It’s a really beautiful dialogue between Afong Moy and the audience.”. The 2019-2020 season subscriptions are on sale, ranging from $80 to $400. “It transcends cultures and ethnicities.

She points out the value of seeing plays featuring Asian American stories and actors as a way to support her community of actors.

“Basically, just saying who she was and what she did, but not really what purpose she served. Will Dao is Atung in “The Chinese Lady.” JENNIFER REILEY, Since not much is known about Afong Moy, Apostol has to do “a conjuring of her.” “All of the stories and ideas that we’ve been able to find, written documentation, photos, etc. So, you can imagine the amount of text that I had to learn.”, It has been for her a difficult process of getting into the mindset of being present on stage from start to finish. Obviously, I don’t have bound feet,” says Apostol. It is about being seen and choosing to see someone as the other.

No. Barnum sideshow), and Atung, her older, male handler. The Chinese Lady by Lloyd Suh is produced by Magic Theatre and plays on its stage at Fort Mason, 2 Marina Blvd., San Francisco, CA through November 3, 2019. Written by Lloyd Suh; Directed by Mina Morita; Cast: Rinabeth Apostol and Will Dao; Set and Props Design by Jacquelyn Scott; Costume Design by Abra Berman; Lighting Design by Wen-Ling Liao; Sound Design by Sarah Huddleston; Stage Management by Liz Matoz; Dramaturgy and Local Casting by Sonia Fernandez; October 9 to November 3, 2019 at the Magic Theater, Fort Mason Center, 2 Marina Blvd., Bldg. There’re only two of us, and I speak about 90 percent of the time. It is a firm reminder that how I am living now is still a luxury in comparison to what it was, and how many doors have been opened for me because of my predecessors.”, The Chinese Lady is a reminder of the time Asians, then labeled as Orientals, were exoticized and objectified and not considered equals by Americans of European descent. “This in particular happens to be a 43-page script in which I’m on stage at the top of the show and I never leave. And how have things really changed? But up until then “The Chinese Lady” is exquisite. I think for them, it comes from the immigrant mentality that you do need to work hard and you do need to find success. It’s scarily parallel to our current sociopolitical climate.

It is said that she toured the U.S. for a few years then either went back to China or remained in the U.S. fading into obscurity. For me, this is my choice; just like her, she thought it was her choice.”. Trump’s Legacy: Nearly 200,000 Americans dead, and the number is growing. www.magictheater.com / Box Office: (415) 441-882. Apostol recognizes all those who came before her who paved the way for her to be able to live the kind of life that she is living.

“[For] Asian parents in general, especially Filipino parents, that is not a career path that is the norm to choose.

about her are going to help bring her to life.”, The play, at its core, is an immigrant story that many, if not most, Americans can relate to. “I’m there, I’m telling these stories as we have researched; just knowing that it’s just me and just all of the design elements could feel a little daunting at times, but I knew what I signed up for.”, She feels very fortunate to have had roles in the past that helped prepare her for this one. Inquirer Interactive, Inc. 3rd Floor Media Resource Plaza Building 2530 Mola corner Pasong Tirad Streets La Paz, Makati City 1204 Tel. To find out more, please click this link. Donate Today. Afong Moy was seated most of the time, but now and then would walk around the room to display her lotus feet.

D, San Francisco. Reader’s Theater Edition #26. “It really stems from my parents.

Where: Fort Mason, Building D, 2 Marina Blvd., S.F.

Adapted for reader’s theater (or readers theatre) by the author, from his picture book published by Pan Asian/EduStar, Union City, California, 2000

Suh wants more than to entertain and move us with this fascinating, unsettling story of two characters trapped in our shameful history.

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