movies about la

The experts say: "We acquired this movie off a seven-minute promo in Cannes and you could tell immediately that it captured the dirty underbelly of LA that had never really been portrayed in a movie before. 12.

Gregg Araki’s ‘Doom Generation’ trilogy is fearless, and Nowhere is the best of the three. Contract killer Vincent, played by Tom Cruise, takes Jamie Foxx's cab driver Max Durocher hostage.

Pro wrestler-cum-thespian Roddy Piper (R.I.P.) A struggling screenwriter, Joe Gillis (William Holden), labors away at screenplays that aren’t selling.

Nicholas Ray’s tragedy is a deeply forlorn look at Los Angeles, where road rage is a matter of course and the most tender relationship often ends up being with your agent.—Stephen GarrettBuy it on Amazon, Los Feliz housewife Phyllis Dietrichson (Barbara Stanwyck) seduces insurance salesman Walter Neff (Fred MacMurray) into killing her husband—they stage his death on the train to Palo Alto—and then things get dirty.

One of the darkest (and darkly comedic) looks at Hollywood on screen, Sunset Boulevard is an unrivaled classic.

While Altman called it "very mild satire," it's a hilarious send-up of the studio system.

Nevertheless, the film remains a strangely accurate reflection on L.A. diversity and the perils of traffic. This makes it more interesting and diverse.

Los Angeles may be the entertainment capital of the world, but depicting the diverse and complicated city on film is easier said than done. Dirk Diggler. Both melancholic and laugh-out-loud hilarious, all while being downright bizarre. Posted on March 10, 2016 March 10, 2016 by Esther Zeilig.

Kent Mackenzie’s film offers a rare glimpse into the lives of Native Americans living in the historic Bunker Hill district during the early 1960s. Beyond that, Afternoon Delight is a movie that fully gets Silver Lake, both its quaint suburban feel and the seedy underside. It’s that classic “young person moves to L.A. and is destroyed by her own ambition/beauty” tale that is, unfortunately, all too realistic and prevalent to this day. All ties were decided by us, because some things in life do need a little subjectivity.

But its blindingly bright yet perpetually smoggy L.A. perfectly mirrors the mind-set of Ben Stiller’s mopey protagonist; few movies have better captured how this beautiful city can seem like one big storm cloud to its losers.—David FearBuy it on Amazon, As viewed from Elysian Park, Los Angeles is obliterated in nuclear fire, in one of James Cameron’s most nightmarish sequences—Hollywood blockbusting at its darkest. Snake Plissken (Kurt Russell) just can't keep himself away from these places. If you want to twirl in your yellow dress at that iconic valley view, you’ll have to drive up to Cathy’s Corner on Mt.

We’re in the presence of a new Travis Bickle, one who haunts the seedy diners on Sepulveda, and plots his excursions from an apartment in Echo Park.—Joshua Rothkopf, Truthfully, it takes place in Michael Mann country: a cool urban landscape of postmodern interiors bathed in gunmetal-blue twilight. Los Angeles may be the entertainment capital of the world, but depicting the diverse and complicated city on film is easier said than done. These 57 Los Angeles movies—shady noirs, sunny comedies and even a sci-fi nightmare or two—truly get the City of Angels.

If Los Angeles is built on beautiful illusions (some might say lies), then call it a cosmic coincidence that the high point of intelligent Hollywood filmmaking—Roman Polanski’s staggeringly great neonoir—arrived in the service of exposing the city’s buried sins. Netflix's own animated series is a cynical skewering of celebrity culture and a brutally honest depiction of depression, done through the lens of anthropomorphized animals whose names are dadjoke-level puns.

Annie Hall32.

Rebellion still haven't received their due, no matter how many times Charles Burnett's Killer of Sheep gets lauded or Thom Andersen champions their work. Clueless did for '90s teen girls what Valley Girl did for teen girls of the '80s. And it exposes how shitty most downtowns became in the ‘80s, especially downtown L.A. He becomes involved with a kooky group of Repo men, led by Bud (Harry Dean Stanton), who take Otto under their collective wing.

It’s like LA is a character in the film." Los Angeles may be the entertainment capital of the world, but depicting the diverse and complicated city on film is easier said than done. Chazelle was only 30 when he made this. Like Michael Mann's earlier film Heat, Collateral is a crime thriller that happens to take place in Los Angeles. The odd, unnerving Safe stars Julianne Moore as Carol White, a homemaker who develops multiple chemical sensitivity and suddenly develops strange symptoms that may be caused by the chemicals in everyday products.

To Sleep With Anger53. It made me want to move to Echo Park way back before it was safe/cool to live in Echo Park." Mark it, dude: not only did Thrillist recently visit a bunch of spots from the Coen brothers' film, but a majority of our panel put it on their list -- though in spots that couldn't push it to top-three status. It’s got another classic score by director John Carpenter.

Double Indemnity7.

This neo-noir, set in 2019, captures a gritty, dystopian side of L.A. With this futuristic action thriller, Ridley Scott envisions what Los Angeles may become in the no-so-distant future. This movie is the best film ever about trans sex workers on Santa Monica, but it’s also probably the best film about Hollywood (the place, not the entertainment industry) post-crack.

Meanwhile, government agents seek a mysterious Chevy Malibu, apparently carrying radioactive alien material. Emilio Estevez and Harry Dean Stanton in Repo Man; Credit: Edge City. Punch-Drunk Love46. See if he does on Instagram at @JeffMillerLA or on Twitter at @ThrillistLA. The film adaptation stars Karen Black as a failed actress and Donald Sutherland as the repressed accountant who loves her in this story of desperate people and their crushed dreams of fame and success. Films, Paramount Pictures, Penthouse, Long Road Productions. Director Robert Aldrich would go on to huge budgets and studio luxuries (The Dirty Dozen), but he never eclipsed this movie’s pungent sense of place, a corruption seeping out of every bruised face and busted, dead-end apartment.—Joshua Rothkopf, Robert Altman masterfully skewered the Angeleno psyche in many of his pictures, but those shrewd observational tools were especially incisive (and damning) in his L.A. swan song, a tragicomic tapestry that stretches from lofty homes in the Hollywood Hills and the earthy hiking trails of Griffith Park, to the trailer-park lows of working-class Downey.

Sarah Michelle Gellar and Dwayne Johnson; Credit: Universal Pictures.

Either way, Star Maps is less about the actual maps and more about a Mexican-American teenager hustling himself for a Hollywood "in.". It's a film about the drastically different cultures in Los Angeles, embodied by Ana's rebellion against her mother's traditional values and her aspirations outside of L.A.

The film uses its characters to expose the racial and class divides in Los Angeles, with Kevin Kline playing an immigration lawyer, Danny Glover a tow truck driver, and Steve Martin an action film producer. I'll Do Anything. That said, the movie’s heist centerpiece, spilling out violently onto downtown Flower Street, is undeniably Los Angeles, and one of Hollywood’s finest bits of mayhem.—Joshua Rothkopf, One is the loneliest number in Paul Thomas Anderson’s kaleidoscopic fever dream of Valley alienation.

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