shirley movie reddit

The difference here is that Shirley Jackson has more than one mode and isn’t just standing around like a distressed and reclusive agoraphobic mess.

r/movies: News & Discussion about Major Motion Pictures. As Shirley’s most trusted editor and critic, Stanley desperately wants his wife to return to her writing, but he might not approve of the manuscript she’s undertaken — it will ultimately become Jackson’s 1951 genre novel “Hangsaman.” Her inspiration is the case of “a disappearing college girl,” which she enlists Rose to help her investigate. Variety and the Flying V logos are trademarks of Variety Media, LLC. Initiated by possible visions of Rose’s pregnancy, the two slowly begin to bond over her journey to motherhood (visible stages of pregnancy are a good passage of time indicator), witchcraft, suicidal thoughts, and the mystery of a local lonely college girl named Paula that stands to be the subject of Shirley’s novel-in-progress. 20 Shares. Nevertheless, something as simple as observing Rose being around Shirley and taking more control over her life is compelling (and expressed through an intensely erotic display of sexual dominance). Featuring “The Handmaid’s Tale” actor Elisabeth Moss in the title role, this queer, hard-to-quantify psychological study isn’t a biopic so much as a séance — a quasi-occult attempt to invoke the spirit of such a singular author, who reinvented a genre before her death half a century ago, via a film that seeks to channel her unsettling style. It blows my mind there are still old people out there who haven't bought it yet. The characters may have neurological conditions (in the case of this exaggerated version of Shirley Jackson, possibly even supernatural intuition), but the thrills come from how it relates to the ever-changing dynamics and relationships between the household’s inhabitants. If she were alive today, she likely wouldn’t have the same gripe with the actual contents of Josephine Decker’s Shirley (the trailer itself does play up the brief horror aspects for heightened intrigue), a blending of reality and fiction (based on the equal parts truthful study/fantastical homage Shirley: A Novel from Susan Scarf Merrell) that doesn’t use mental illnesses for uneasy scare tactics. Opening in the style of Bram Stoker’s “Dracula,” with a thoroughly unprepared outsider approaching its reclusive monster by train, “Shirley” positions Shirley Jackson as a shadowy supporting character in the story that bears her name. Press question mark to learn the rest of the keyboard shortcuts. Clean-cut and handsome, yet oddly hands-off in the bedroom, Fred (“The Perks of Being a Wallflower” star Logan Lerman, looking barely old enough to have finished high school) has taken a temporary job as a teaching assistant to free-spirited myth and folklore professor Stanley Hyman (Michael Stuhlbarg, who may have had Allen Ginsberg in mind) at a conservative liberal arts college in small-town Vermont. The vignette in which Rose writhes in a patch of earthworm-infested mud, to cite one example, feels like some kind of forbidden erotic revolt — and a scene that would have been right at home in Decker’s earlier, earthy “Butter on the Latch.”. I don't think I would really know any Shirley songs if not for these commercials. Harboring a strong amount of self-doubt, her insecurity only becomes amplified whenever Stanley, most likely a failed storyteller turned lecturer, hounds her to get to writing so he can read and criticize more work. Shirley is so mesmerizing that it takes rolling credits to realize you aren’t actually rooted in the North Bennington home of writer Shirley Jackson and her husband Stanley Hyman. © 2009-2020 Flickering Myth Limited.

Geek Culture | Movies, TV, Comic Books & Video Games, Directed by Josephine DeckerStarring Elisabeth Moss, Michael Stuhlbarg, Logan Lerman, and Odessa Young. Shirley Jackson was a real person, a writer best known for her twisted short story “The Lottery,” although the version presented in Josephine Decker’s “Shirley” feels more like a character from one of her own novels. ... make sure to check out my other random data on Reddit. For anyone out there that was worried Josephine Decker making a movie about a real person would squash out her experimental tendencies, fear not, as there is much to unpack here. A famous horror writer finds inspiration for her next book after she and her husband take in a young couple. The reproduction, modification, distribution, or republication of the content (including RSS feeds) without permission is strictly prohibited. Rose is instantly drawn to Shirley. By contrast, this is an itchy sweater that’s unraveling as you watch it, thanks in large part to Moss’s wild-eyed turn as the tortured genius. Movies featuring snowmobile action scenes are way cooler than movies featuring jet ski action scenes. Why she should take Rose any more seriously remains to be established, though they’ll get the chance to know one another more intimately in the months that follow, since Stanley, concerned with Shirley’s declining health and sanity, invites Fred and Rose to share their close-to-campus lair (another Shirley-ism: “A clean house is a sign of mental inferiority”).

The cinematography from Sturla Brandth Grøvlen gently captures the evolving connection between Shirley and Rose; there’s a beautiful sequence involving a swing and a 1950s era-appropriate clothing brushing up against each other, and most intimate moments are done with extreme close-ups to present each delicate touch.

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